Kleine Werke aus aller Welt. Par DE HAAN JAN / ANTONIN DVORAK / FRANZ JOSEPH HAYDN. BLÄSERKLASSE GLOBUS führt junge Musiker vom Proberaum in die weite Welt: Durch alle fuünf Kontinente geht es von Amerika uüber Europa nach Japan und nach Afrika und schließlich zu den Kängurus nach Australien. Als Souvenirs nehmen die Reisenden Eindruücke von den Klangwelten in den verschiedenen Regionen mit. Vertraute Anhaltspunkte sind bekannte Melodien, die hier und da durchklingen, wie zum Beispiel das bekannte Lied von der Bruücke in Avignon. Ebenfalls werden, unter anderem mit einem Variationensatz, einer Suite und einem Medley, diverse Gattungen gestreift. Die Stuücke bringen nicht nur viel Abwechslung ins Spiel, sondern sie sind auch soarrangiert, dass sie genau auf die Lernfortschritte in Band 1 und 2 von Essential Elements, der kompletten Methode fuür den Musikunterricht in Schulen und Blasorchestern, Bezug nehmen. Die entsprechenden Kapitel in Essential Elements sind im Inhaltsverzeichnis der Partitur angegeben. Aber auch unabhängig von Essential Elements bieten die im ansteigenden Schwierigkeitsgrad angeordneten Arrangements abwechslungsreiches Spielmaterial fuür Bläserklassen und Jugendblasorchester. Sind die Stuücke im Unterricht erst einmal einstudiert, kann ein buntes, szenisch ausgestaltetes Konzert unter dem Motto „Weltreise“ vorbereitet werden. So gehen Spielspaß, Lernerfolg, Erfolgserlebnis und daraus resultierende Motivation Hand in Hand! Sehr nützlich für das Kennenlernen und Einstudieren der Arrangements in BLÄSERKLASSE GLOBUS ist die separat erhältliche CD mit vollständigen Orchesteraufnahmen aller Stücke (Bestellnummer DHR 13-860-3). / Niveau : Très Facile à Facile / Date parution : 1905-07-05/ Accessoire / Concert Band

Par DVORAK ANTONIN. Antonin Dvorak?s symphonic poem Vodnik (The Water Goblin) was inspired by a poem penned by 19th century Czech poet Karel Jaromir Erben and consists of seven themes, representing characters in the poem. This flute choir arrangement by Linda Kirkpatrick includes four of the themes, opening with the theme of the title character, the water goblin, and closing with the theme representing the misery of the underworld. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Antonin Dvorak Requiem Mass, scored for soprano, alto, tenor and bass solists, SATB choir and orchestra. Vocal Score edition, edited by Michael Pilkington. This new edition follows the layout of the previous edition (NOV070088) which it supersedes. / Voix

Best-known for his orchestral music Antonin Dvorak also devoted himself to music for solo Piano creating dances and mood pieces infused with elements of native folk music. This volume contains thirty of his best most characteristic Piano pieces. Selected and introduced by Rudolf Firkusny.

Antonin Dvorak (1841-1904).Bagatelles Op. 47 For Piano Quartet (2 Violins Violoncello Piano/Harmonium).Dvorak was working on his first series of Slavonic Dances when it was requested that he write a piece for a private circle of chamber enthusiasts musician friends with whom the composer occasionally performed as violist or Harmonium player. Over the course of a few days in May 1878 he produced a quartet for two Violins Cello and Harmonium originally entitled Malickosti (Bagatelles); the printed version later introduced the title Bagatelles.Although the themes are less complicatedand fewer demands are made on the players this cannot be described as music in a simpler style.The score and parts published as part of the first Complete Critical Edition of Works by Antonin Dvorak were edited for publication by Frantisek Bartos.

Of the works which Antonin Dvorak wrote during his three-year sojourn in America the String Quartet In F Major ('American') is the best known after the New World Symphony.It was written essentially without interruption during the course of June 1893 and reflects happy times spent in the hamlet of Spillville over the summer holidays among Czech compatriots descendants of Czech immigrants where the composer surrounded by nature and friends had the ideal conditions for his composition work. The use of elements of American folk and popular music gives the piece its typical character.This pocket score is part of the firstComplete Critical Edition of Works by Antonin Dvorak.Also available set of parts (H1594)

Par DVORAK ANTONIN. À l?été 1879, Dvorák coucha relativement vite sur papier le concerto demandé par son éditeur, mais ensuite, son achèvement dut attendre jusqu?en 1882. Il montra la partie de violon au célèbre violoniste virtuose Joseph Joachim, qui était d?ailleurs le dédicataire de l??uvre. De nombreux remaniements s?ensuivirent. Finalement, Joachim se désintéressa de l??uvre, si bien que la création en fut reprise par le violoniste tchèque Franti?ek Ondrícek. Cette ?uvre à la forme inhabituelle, qui commence et se termine par un rondo de sonate, est entièrement maintenue dans un caractère slave. Après le lyrisme du mouvement central, l??uvre se termine par des rythmes de danses tchèques. Cette édition Urtext est fondée certes sur les premières éditions de la partition, de la partie de soliste et de la réduction pour piano, mais aussi sur le manuscrit autographe. Les indications concernant la partie de soliste ont été confiées à la star du violon Augustin Hadelich, qui est actuellement l?un des meilleurs connaisseurs de l??uvre. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

The Latin text of the mass for the dead inspiring musical settings from the 15th century to this day provided composers throughout the ages with an opportunity to reflect upon the end of human life and on the disquieting issues of human destiny.Dvorak's Requiem for soloists choir and orchestra was written in 1890 and performed in Birmingham the following year to considerable acclaim. This full-length work divides the liturgical text into thirteen extensive parts. The Piano reduction of Dvorak's Requiem part of the first Complete Critical Edition of Works by Antonin Dvorak was produced by Karel Solc on the basisof the critical edition of the score.- Full score & performance material available for hire.

The musical setting of the Latin hymn Te Deum laudamus was written shortly before Dvorak's departure for America. This text meant a lot to the composer and in his conception the work brings together the sacred music tradition so familiar to Dvorak from Czech church choirs and the majestic oratorio style.The Piano reduction based on the critical edition of the score was produced by Karel Solc. This title is part of the first Complete Critical Edition of Works by Antonin Dvorak.- Performance material available for hire.